History of Boat Lutes
Found throughout Borneo Island, boat lutes come in a variety of shapes and sizes- some have small bodies and long necks, others have stout bodies with short necks and moveable frets. At the end of the neck sit tuning pegs and a carved headstock, often in the shape of a hornbill head, an Aso– dog/dragon creature, or an ox, horse or crocodile- animals that traditionally played a significant role in agricultural, cultural and spiritual lives.
The instrument’s stomach can be hollowed from the front or back, and is sometimes covered with a sound plate for acoustic reverberation. Traditionally with two or three strings made of rattan or root fibres, nowadays nylon string, fishing wire or metal guitar strings are more commonly used.
Held like a guitar, the fretted bottom string is plucked with the index finger as the rhythmic melody/ostinato, while the second or third strings are plucked occasionally as an accompanying drone. Only in recent years have boat lutes been adapted to standardised tuning to allow them to play modern music and scales.
As an island made up of three nations, and hundreds of different indigenous groups, many communities in Borneo have their own unique version of the boat lute. The family members include the broad long-bodied Orang Ulu Sapé, the long necked Sundatang of Sabah played by the Rungus, Dusu and Kadazan communities, the thin bodied Tapi of the Lun Bawang and Lun Dayeh, the fretless Belikan of the Iban, the small Brunein Kasapi, and in Kalimantan the Ngaju Kacapi, the Ot Danum Konyahpi, and the rare “short-necked shovel” Sape Kaayan, also known as the sape ting dua.
Different indigenous communities call these instruments by many different names, and while some are experiencing a vibrant contemporary revival some of these instruments are highly endangered and almost impossible to be found practiced or even remembered by the communities who once played them.
In modern times some of these instruments are having a revival on the contemporary music scene- for example the Sape’ which has become a symbol of Sarawak’s blossoming creativity, or the Kecapi of Kalimantan, played in accompaniment with other instruments in lively Kalteng bands.
We hope our Borneo Boat Lute Revival initiative will pay a small role in highlighting these unique instruments and encouraging people to find out more about them.
All information on the Borneo Boat Lute Revival website is based on research findings conducted by the team and/or sharings of knowledge by its community contributors. It is subject to changes and updates at any time. To discuss any information or use of material from this site, please reach us at firstname.lastname@example.org.
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